March 26, 2017: The Outside Track to perform Celtic music in Harrisburg

The Outside Track, a Celtic group performing Scots, Irish, and Cape Breton tunes, songs, and step-dance comes to Harrisburg for a Susquehanna Folk Music Society concert on Sunday, March 26, 2017, at 7:30 p.m., at the Abbey Bar, Appalachian Brewing Company, 50 N. Cameron Street. The group features vocals, electric harp, flute, whistle, fiddle, and guitar.

For information on the band members visit http://www.sfmsfolk.org/concerts/OutsideTrack.html

The Outside Track was named Group of the Year in both the Live Ireland awards and the TIR awards and was nominated for a Scots trad award. The group’s latest CD, “Light Up the Dark,” was nominated for Best Album in the 2016 Indie Acoustic Project Awards.

Concert tickets are $24 General Admission, $20 for SFMS members and $10 for students ages 3-22. Advance tickets are available through Brown Paper Tickets online at http://www.brownpapertickets.com or toll-free (800) 838-3006. For more information, visit the Susquehanna Folk Music Society website at http://www.sfmsfolk.org.

We had a chance to speak to the band’s accordion player Fiona Black about the origins of The Outside Track and what audiences should expect.

FOLKMAMA: I understand that throughout the history of the band you have had members from Scotland, Ireland, Cape Breton and the United States. Did you start out with the idea to become a Pan-Celtic band?

FIONA: It really didn’t start out as a concept band. We met in Limerick in Ireland at University. Originally it was myself and Ailie (we are the two Scottish members) and we also had a couple of Irish members at the very beginning and a Canadian member.

It has always seemed natural that we would play music from the countries that we were from. That’s how it came about and we have continued to do that.

FOLKMAMA: Would it be easy for an audience member to figure out the country of origin for the tunes or songs that you play?

FIONA: We all play music from our own regions and our own countries, but honestly there are many more similarities than differences between the music from Scotland, Ireland and Cape Breton.

FOLKMAMA: Can you describe your performances?

FIONA: Well, they are really quite lively. About half of what we do are tunes and the other half songs.  We do different arrangements of tunes; some traditional ones and some that we have invented. Each instrument is showcased at different points and we all work together on harmonies and chords. The fiddle player is the dancer. She does Cape Breton style of dancing which is really close to the floor and really beautiful.

FOLKMAMA: Who is in the band and where are they from?

FIONA: Teresa Horgan is the lead singer and flute and whistle player. She’s from County Cork in Ireland. And then Ailie Robertson is the harp player in the band—she plays electric harp. She creates a lot of the bass lines and a lot of the texture as well. And she’s from Edinburgh in Scotland. My name is Fiona Black and I’m from the Highlands in Scotland and I play the piano accordion. And then we have Emerald Rae who’s from Boston. She’s the fiddle player and the step dancer in the band. She spent a lot of time in Cape Breton. And then Eric MacDonald is also from Boston and he’s the guitar player in the band.

FOLKMAMA: How long have you been playing together?

FIONA: We started about 10 years ago. Ailie and I are the two original members left.

FOLKMAMA: Anything you want the readers to know?

FIONA: We just put a new music video out on Facebook. We have another week in the tour and then off we’ll go to Germany. We’ll be back in the US in August!

FOLKMAMA: Is this the main gig for everyone?

FIONA: We tour about six months out of the year. We all have different side projects, other bands and different teaching projects and composing project—but for everyone this is the main band.

 

 

 

Irish Music w/ Mick Moloney, Billy McComiskey + Athena Tergis March 13, Hbg, PA

Three icons of Irish-American music—MICK MOLONEY (guitar/banjo/vocals), BILLY McCOMISKEY (accordion), and ATHENA TERGIS (fiddle)—come to Harrisburg on Sunday, March 13, 2016, for a lecture, potluck dinner, and concert sponsored by Susquehanna Folk Music Society at the Fort Hunter Centennial Barn, 5300 N. Front Street, Harrisburg. The concert is at 7:30.

The evening opens with a 5 p.m. with what is sure to be a fascinating illustrated talk on “Irish and African Roots of American Music.” Mick Moloney, who will be giving the talk along with Harrisburg’s own LENWOOD SLOAN, says that they will focus specifically on Appalachian music and the music of the minstrels. “Throughout history there has been a close association between Afro-Americans and the Irish, “Mick told me. “Both groups lived on the margins of society.”

“It might be a startling fact, but 38% of African Americans have Irish DNA,” he said. “Both BARAK AND MICHELLE OBAMA have Irish ancestry.”

Moloney has taught ethnomusicology, folklore, and Irish studies courses at several universities. Lenwood Sloan is a choreographer and scholar of dance history with a special interest in minstrel dance. Additionally Lenwood has served as director of PA’s Culture and Heritage Tourism Program and PA’s Film Commission and is active with the arts in Harrisburg.

Mick Moloney has recorded and produced over 40 albums of traditional music and has been an advisor for scores of festivals and concerts all over America. In 1999 he was awarded the NATIONAL HERITAGE AWARD from the National Endowment for the Arts, the highest official honor a traditional arti

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st can receive in the U.S. Billy McComiskey is a highly regarded player and composer of Irish traditional music. He has won FOUR ALL IRELAND CHAMPIONSHIP TITLES. Athena Turgis has toured extensively with the Sharon Shannon Band and has appeared in the Las Vegas production of Lord of the Dance. She has also been principal fiddler for the Broadway production of RIVERDANCE.

All are welcome to a free potluck dinner before the concert. Bring a covered dish to share. Drinks and place settings will be provided.

Concert tickets are $24 General Admission, $21 for SFMS members and $10 for students ages 3-22. The lecture is included with concert admission. Advance tickets are available through Brown Paper Tickets online at http://www.brownpapertickets.com or toll-free (800) 838-3006.

For more information, visit the Susquehanna Folk Music Society website at http://www.sfmsfolk.org

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Following are a few more details from my conversation with Mick:

FOLKMAMA: Susquehanna Folk has been lucky enough to have Billy McComisky on our stage twice; once with Pride of New York (which features Cherish the Ladies’ JOANIE MADDEN) and Trian (which features fiddler LIZ CARROL). We haven’t had Athena play for us yet, but she sure has an impressive bio! What’s it like playing with these two powerhouses?

MICK: There is not too much more to say then they are the best of the best. They are just fantastic musicians and I love playing with them. They’re masters of their craft.

FOLKMAMA: How long have you been playing together?

MICK: About 10 years now. But we play in different configuration and sometimes with other musicians.

FOLKMAMA: What’s the music like that you play?

MICK: Well it’s all traditional Irish music, but between us we have such a huge repertoire that we can adjust to any situation. We don’t have to spend hours rehearsing. We just have so much stuff under the belt as it were.

FOLKMAMA: You might know that Susquehanna Folk has been doing a little bit of a focus on the banjo this season. You play the tenor banjo. I’m curious to know a little bit about the history of the banjo in Ireland.

MICK: Well, the banjo found its way formally to Ireland with The Virginia Minstrels in 1844, and it’s been a part of Irish music ever since. The banjo that we play, though, is the Irish banjo. It’s tuned an octave below a standard banjo. The tenor banjo is tuned like a fiddle, and the music fall on it fairly naturally.

FOLKMAMA: Anything else that you want to add?

MICK: We expect the concert to be fresh and lively because we’ll figure out what we’ll play a half an hour before! And we’ll enjoy ourselves immensely and hopefully everyone will too!

 

Interview w/RUNA who will perform in York, PA on February 13, 2016

The five-person Celtic band Runa, which interweaves the haunting melodies and exuberant tunes of Ireland and Scotland with the lush harmonies and intoxicating rhythms of bluegrass, flamenco, blues, and jazz, comes to the Unitarian Universalist Congregation of York on Saturday, February 13, 2016, for a 7:30 p.m. concert sponsored by Susquehanna Folk Music Society.

The band includes vocalist and step-dancer Shannon Lambert-Ryan of Philadelphia; Dublin-born guitarist Fionán de Barra; Cheryl Prashker of Canada on percussion; Dave Curley of Galway on mandolin, vocals, bodhrán, and step-dancing; and Maggie Estes White of Kentucky on the fiddle. Runa members have played with Solas, Riverdance, Slide, Clannad, Fiddlers’ Bid, Moya Brennan, Eileen Ivers, Hazel O’Conner, Keith & Kristyn Getty, Barcó, Téada, Jonathan Edwards, and the Guy Mendilow Band.

Concert tickets are $25 General Admission, $21 for SFMS members and $10 for students ages 3-22. Advance tickets are available through Brown Paper Tickets online at http://www.brownpapertickets.com or toll-free (800) 838-3006. For more information, visit the Susquehanna Folk Music Society website at http://www.sfmsfolk.org.

I got the chance to chat with Shannon Lambert-Ryan, lead singer and step dancer with the band.

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FOLKMAMA: Tell me some things about how the band formed and how long you’ve been together.

SHANNON: The band has been together for about 7 and ½ years. It started with what was supposed to be a side recording project. Fionán (who I had met at the Philadelphia Folk Festival) and Cheryl (who I had met around the same time) and I decided to record an album together at Fionán’s studio in Dublin. At the time we were all working with other bands, but we just looked at each other after the record was done and said “This is really special, we should do this more often.”

So at first we did most of our gigs as a trio, occasionally bringing in some really terrific guest musicians that helped us to stretch out beyond the “only traditional” music world. So we were able to add some jazz and bluegrass elements to our sound.

FOLKMAMA: So when did the other members of your current line-up join?

SHANNON: Maggie and Dave came a bit later. We met Dave through Fionán’s brother Eamon, who is in a band called Slide. A little bit later when the jazz fiddle player that we had been working with was moving on her way, we asked Maggie to join. It all just kind of fell into place.

FOLKMAMA: The band has some really lovely CDs. Have you recorded with this current composition?

SHANNON: We’ve done four CDs in total, the last two are really representative of that quintet sound. The full line up is on the fourth CD.

FOLKMAMA: Tell me about yourself. How did you get your start in music and dance?

SHANNON: I started as a step dancer when I was about 5 or 6 in Philadelphia. I had gone with my parents to a festival and I had seen a bunch of people step dancing and I said, “That’s what I really want to do!” Both of my parents were Appalachian Cloggers and loved folk music so I grew up surrounded by traditional and cultural music from around the world.

I love lots of different kinds of music from all different time periods, but there is just something about Irish music that has been home for me in many ways.

I majored in history and theater and music, and everyone told me that I really had to choose one, although I didn’t really want to. I feel though that I’m really lucky because I’ve found a way to really incorporate all three of them into what I do with the band. Obviously I’ve incorporated music, but history too because lot of research goes into the music, whether it’s the songs or the tunes.

Then the performance aspect—there is a lot drama in all of the songs. The theater and the acting have really come in handy in terms of conveying that to the audience. People often look to me and they say, “You’re the singer. You’re the one that is presenting the story,”and the truth is that it’s a story that the whole band is telling.

FOLKMAMA: Musicians have the opportunity to go to some unusual places. What are some of the experiences that have really stood out for your?

SHANNON: Well, lots of things. We got a chance to do a cameo appearance at Ryman Auditorium in Nashville for a St Patrick’s Day Celebration and we’ve had musicians like Ron Block for Alison Krauss and Union Station and Ricky Skaggs on stage with us.

We’ve also gotten to play the National Anthem at a couple of different baseball stadiums; twice for The Phillies and once for the Diamondbacks out in Arizona. And a couple of years ago we recorded a music video out at the Grand Canyon—literally about a foot or two from the drop off!

FOLKMAMA: And the band has won some pretty impressive awards too, right?

SHANNON: Yes, we won Top Group and Top Traditional Group in the Irish Music Awards and an Independent Music Award for Best World/Traditional Song. Were just totally honored and floored to be recognized like that. You know you play music because you love playing music, not really to go after the glory. But when those special moments come along it really validates whet you are doing.

FOLKMAMA: What would audiences expect to see when they come to one of your concerts?

SHANNON: We like think of our shows as opening up our living room to everyone so that we can all join in for that session, in for that party.

At the end of performances people always say, “You look like you are having so music fun up there!”RUNA Promo Photo 2013

Photo Credi

Photo Credit Bob Yahn

Photo credit Bob Yahn

Photo credit Bob Yahn

The Irish Group WE BANJO 3 in Harrisburg, March 8th, 2015

The award-winning quartet We Banjo 3, from Galway, Ireland, brings its unique combination of Irish, old-time American and bluegrass influences to do afternoon workshops and an evening concert sponsored by Susquehanna Folk Music Society on Sunday, March 8, 2015, at the Appalachian Brewing Company, 50 N. Cameron Street, Harrisburg. The event includes concurrent afternoon workshops on bodhrán and Irish tenor banjo from 3:30 to 5 p.m., and a 7:30 p.m. concert with local favorites Irish Blessing opening for We Banjo 3.

A We Banjo 3 performance reveals the banjo’s rich legacy and roots as the band of brothers takes flight in a wave of virtuosity, verve and joie-de-vivre, leaving the audience’s feet tapping and pulses racing. Featuring banjo, fiddle, mandolin, guitar, and percussion, We Banjo 3 makes a bold and extraordinary musical statement.

Concert tickets are $24 General Admission, $20 SFMS members, and $10 for students ages 3-22. (Young people are welcome; Appalachian Brewing Company’s 21+ age rule does not apply to this concert.) Workshop tickets are $18 General Admission, $14 for SFMS members, and $10 for students to age 22. Advance tickets for the workshops and concert are available through Brown Paper Tickets online at http://www.brownpapertickets.com or toll-free (800) 838-3006.

Because of their busy touring schedule it was hard to track the lads down, but I finally had the opportunity to have a quick chat with band member Martin Howley.

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FOLKMAMA: I was curious where your group’s name comes from.

MARTIN: Well we were originally three members. And we quickly realized that we needed a real musician in the band so we added Fergus in fiddle! In all seriousness, we’ve played together for years—in concert, playing commercial sessions, getting together for informal sessions—we’ve known each other for a long time. So when the opportunity came up for Fergus to join the band there was no question about it.

So we went full time after that. We thought about changing the name, but We Banjo 4 just doesn’t sound right. We’ve convinced ourselves that there is a little bit of a mystery when you are called We Banjo 3 and four of us turn up.

FOLKMAMA: So the idea was that the three original musicians all play the banjo?

MARTIN: We’re all multi-instrumentalists so in the band we have banjo, mandolin, guitar, fiddle, bodhran, and all manner of stuff in between.

FOLKMAMA: You play music from Ireland, but you also play the old-time music from America. Why have you decided to represent these two styles so strongly in your repertoire?

MARTIN: The banjo originally came from Africa but the old-time musicians in the rural South began using it. A lot of them were Irish descendants. So there is a big connection between the two styles of music because in many cases the repertoire is shared. Also, when we began to develop a band that focused on the banjo we wanted to be able to play some of the styles that incorporated the banjo. We wanted to explore how the banjo has taken a journey from African, to America and then to Ireland.

FOKLMAMA: Actually I think I read that the tenor banjo first came to Ireland with the minstrel shows.

MARTIN: Yes, that’s exactly what happened. The first time that the banjo came to Ireland was in the 1850s with a group called the Shamrock Minstrels. And their banjo player, Joel Walker Sweeney, was of Irish descent. He was credited with being the one who first put the fifth string on a banjo. So he invented the modern bluegrass banjo. So there is this amazing connection. It’s ironic that the Irish banjo is now a four stringed instrument, but the guy who put the fifth string on is Irish!

FOLKMAMA: You’ve been touring in the states now for a few years. What have some of the highlights been?

MARTIN: What has been really great for us is touring to some new places and discovering that they really love the banjo. You know that banjo is really an American music and synonymous with America. When they see Irish people playing it, they say, “Wow! I didn’t know that you did that!” But the other thing that’s great is when go to someplace like France or Germany or anywhere in Europe and they see this combination of Irish and old time and bluegrass and how closely it’s associated and it opens their eyes and we love that. And it’s been really great meeting people from different cultures. We’ve had amazing experiences where people have come out in droves to watch a concert and come up and buy CDs and talk to us and it’s always for us a huge compliment. We just love playing and we’re just getting our heads around the fact that people love our playing as music as we do.

FOLKMAMA: What kind of experience do people have when they come to your concerts?

MARTIN: The emphasis with the music is to play music that is virtuosic and varied and crosses a lot of musical boundaries but does so in a fun way.  We want people to come away with a big smile on their face and the hair kind of standing up on the neck! And we love energy on stage and we love to click with the audience—that’s kind of been our trademark the last couple of years.

We-Banjo-3-pic-1

Martin Hayes, John Doyle & Kevin Crawford–The Teetotallers– appear in Harrisburg Wednesday, April 16, 2014

The Teetotalers by Jordan KoepkeOn Wednesday, April 16th at 7:30 PM the Susquehanna Folk Music Society is very pleased to be welcoming back three of the very best Irish musicians alive–six times All Ireland Fiddle Champion Martin Hayes, John Doyle; who the Irish Echo called the best guitarist in traditional Irish music today and Kevin Crawford from the group Lúnasa who is known for his excellent Irish flute playing and wit.

 

This trio—who call themselves the Teetotallers will appear at the Fort Hunter Centennial Barn, 5300 Front Street, Harrisburg. Tickets and information can be found at: http://www.brownpapertickets.com/event/571342

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Following is a reprint of an interview that I did with Teetotalers guitarist JOHN DOYLE in April, 2013.

1. How long have the Teetotallers been together?

 

We’ve been doing it for the last couple of years. Very seldom we’ll do a tour because we’re busy with other things. Kevin Crawford is with Lúnasa and Martin is Martin, you know with all sorts of projects going on—and myself too. We try to get our calendars together to do at least one tour together a year. This is our second tour in the states.

 

2. Where do each of you live?

 

I live in Asheville, North Carolina and I’ve been spending quite a bit of time in County Sligo. Ireland the last year and a half—been back and forth. Kevin lives in County Clair and Martin lives in Clair also, although he’s back and forth a lot too.

 

3. How did the band first get together? How did you pick your name?

 

We were all doing this festival called the Sebastopel Celtic Festival in California back in 2010 and this man named Cloud Moss who organizes the festival does this thing during one show where he throws a bunch of people together to play. So this is one of the configurations that he picked. He actually even named us the Teetotallers because none of us drink. So we thought it was pretty apt and we figured that no one else would take the name. So it was great to not have to ponder or worry about the name.

 

4. Style of music?

 

Its old reels—flute, fiddle and guitar. It’s going back to the roots of the music and playing simply but at the same time deeply. We play mainly music from County Clare. I sing too so there will be a combination of songs and tunes.

 

5. Which Counties are you all from in Ireland?

 

They are both from Clare and I’m from Dublin originally.

 

6. What strengths does each person bring to the group?

 

Martin and Kevin are really in-depth. They have been studying the tradition and played it all their lives. Myself too. We all started from a very early age. We all started in the tradition itself—we grew up in a family of musicians—all of us. That’s one of the things about Irish music or folk music; it’s very familiar—familiar based. It’s serving the tradition—serving the culture to a degree even though you’re not consciously thinking about that. There’s an overriding feeling about that somehow—subconsciously maybe. From that—Martin has keep the tradition from his family—this depth of fiddle playing that he has. And it’s more of a feeling—the feeling of a country, and Kevin really does the same thing. And I’m different in a way. I bring a different quality to the band—a different feeling and a different energy. And as far as songs are concerned I really try to go back and get some old—some really traditional ballads. I also write some songs, but the songs I write sound very much like the traditional ones, and they give the feeling of the country too.

 

7. So how long have you known each other?

 

We’ve known each other a long time. Off and on we’ve met each other at festivals and airports a lot. But the last couple of years were the first time that we have played together.

 

8. Do you have a CD together yet?

 

No, we’ll figure that out when it comes.

 

9. And have you had pretty good reception at your concerts?

 

People understand where we are coming from. The music—it’s not about trying to impress anyone, it’s about playing the music how we feel it. We’ve been playing it long enough to know that just playing it from the heart and playing as well as you can. It’s about jelling together when we play, it’s about the community. When people get together to play it’s like there is a jelling of spirit, of tone, and of experience. If you really pay attention to each other’s playing, there is something special that happens in the music. Any form of music—any tradition. That’s what I feel when I play with the Teetotallers. I feel the energy that is there. I love it.

The Irish Band GOITSE to appear in Harrisburg March 9th. An interview with band member Tadhg Ó Meachair

GOITSE-PHOTOOn Sunday, March 9 at 4 PM the Susquehanna Folk Music Society will recreate the excitement and fun of a traditional Irish pub when they present the Irish band Goitse and dancers from the Coyle School of Irish Dance. The event will also featuring an opening act by the popular area Celtic band Irish Blessing and an Irish session held after the concert to which musicians are encouraged to bring instruments.

The event will be held at the Abbey Bar, Appalachian Brewing Company, 50 N. Cameron Street, Harrisburg. Concert tickets are $22 General Admission, $18 for SFMS members, and $10 for students ages 3-22. Advance tickets are available through Brown Paper Tickets at (800) 838-3006 or online at www.BrownPaperTickets.com.

I had a chance to speak to Tadhg Ó Meachair, one of the founding members of the band, about the group’s members, repertoire, and Limerick University’s Irish Music and Dance program where they met.

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FOLKMAMA: How long has the group been together?

TADHG: We’ve played   three or four years full time at this stage but we started 7 years ago. Colm and I put the idea of the band together originally and started putting some music together, and Conal joined and a year later James came to the University and we asked him to join the band. So it gradually happened.

FOLKMAMA: Were you still at school when the band started performing?

TADHG: Yes, we performed here and there over the course of the four years. It was in our final year that we first started going on tours. It was at our third year at University that we recorded our first CD. As soon as we finished we went full time into touring and traveling.

FOLKMAMA: Can you tell me about the members of your band? Several of them have Gaelic names. I’m curious how you pronounce them.

TADHG: So there’s Colm (CULL-um) Phelan on the drum, the bodhran. And then there’s Áine (AWE yeh) McGeeney who plays fiddle and is the vocalist for the band. And then we’ve got James Harvey on banjo and mandolin. Conal O’Kane is the guitar player. And my name is Tadhg (TYG) Ó Meachair and I play keyboard and accordion.

FOLKMAMA: I understand that they band writes most of the songs that they play.

TADHG: So basically in Irish music we have a large canon of music from which to draw from, and then there’s the strong tradition of composing as well. So what we tend to do is to kind of make our own compositions out of older tunes that sometimes have been in existence for hundreds of years. We take these melodies that are old and arrange them in a new way using variations and various ornamentations.

FOLKMAMA: How often does the band tour in the states?

TADHG: In the past years we’ve been in the states either twice or three times. At the moment we’re out for three weeks. We tend to be over for St Patrick’s Day and in the summer it’s largely Irish festivals.

FOLKMAMA: So you all met at Limerick University when you were all students at in the Irish Music and Dance program. It says on the school’s website that it’s the first program of its kind in Ireland, and it’s particularly unique because it encourages a lot of performance.

I’m curious what your experiences were like there and what encouraged you all to go there.

TADHG: Well I guess there is this huge imbalance when it comes to music education where a lot of the programs focus on classical music training, but it was a unique program because it gave a unique perspective. Obviously we started with western theory and things like that, but the focus was on Irish music. Just putting folk and traditional music on par with other kinds of music is right and proper I suppose.

But I guess what encouraged us to go there is just the environment that is there. It’s an environment that fosters a lot of creativity and it gives you the opportunity to meet like minded people. I suppose all of us went there to expand our understanding of Irish music and expanding our musicianship. We kind of clicked with each other musically and we went from there.

FOLKMAMA: Have there been a lot of groups that have come out of the Irish Music and Dance program?

TADHG: Yeah. I guess the cool band when we were growing up was a band called Beoga. They graduated just ahead of us. All sorts of different acts have been associated with the academy at different points.

FOLKMAMA: Your band members have won some pretty prestigious awards and actually it seems like in Ireland that there is a very robust system for recognizing talented traditional instrumentalists. We hear about the All-Ireland fiddlers, banjo players, and flute player—for example. How does the system work and how has it helped to keep traditional Irish music alive?

TADHG: So what you are talking about is the Fleadh (festival/competition of Irish music). And basically it starts out at the county level.  The first and second place winners from the county Fleadh go on to the provincial Fleadh, and then the first and second winners from the provincial Fleadh go on to the All- Ireland Fleadh.

Musicians compete in four different age groups; under 12, under 15, under 18 and senior. There are competitions on all different instruments like fiddle, accordion, whistle, pipes, and harp. It’s a great process, from a teaching point of view especially for young children. It provides a great focus for them to really think about and improve the tunes that they are playing. And wrapped around the competition you have this really festive atmosphere. The All-Ireland competition is probably one of the largest Irish Festivals in the world and a great place for musicians to meet and play with one another.

FOLKMAMA: Can musicians from the United States compete also?

TADHG: Yeah, it’s called the All-Ireland Fleadh but you have four provincial Fleadhs in Ireland, an  All-Brittan Fleadh and two provincial Fleadhs in the US. The winners from all of those Fleadhs come in and partake in the All Ireland.

FOLKMAMA: One of the claims that Limerick University makes is that the Irish Music and Dance program helps to make its students more marketable. How easy or difficult have you found it to make a living as a professional Irish musician?

TADHG: It’s really enjoyable work. It’s a lot of travel, obviously, but you really get to see the world from a different perspective. We just spent seven weeks in China, for instance. It’s definitely an enjoyable experience. We get along well on the road. A lot of us teach when we are at home, have private students or teach at the university.

FOLKMAMA: Can you describe to us what people are going to hear when they come to the concert?

TADHG: It’s Irish music with our own fun and energetic twist. It should be a good mix of some high edgy stuff and some beautiful songs .

WITF’s Center Stage broadcasts a live concert with The Celtic Fiddle Festival, featuring Kevin Burke & Andre Brunet, Sat. Dec 14 at 8 PM!

Celtic Fiddle FestivalA Live Concert with The Celtic Fiddle Festival, featuring the great fiddling of KEVIN BURKE and ANDRE BRUNET and a concert with Nora Jane Struthers will be WITF’s Center Stage on Saturday, December 14 at 8 p.m!

Get a front row seat to local musical performances on Center Stage. This witf original production brings local live music to you! Enjoy full-length regional concerts from across the musical spectrum—from classical and jazz to folk and rock. Saturdays and Sundays at 8p on witf 89.5 and 93.3

Three different Celtic traditions of fiddling come together in the group Celtic Fiddling Festival. The Washington post called them  “three of the finest folk violinists anywhere”. Celtic Fiddle Festival is made up of Irish fiddler Kevin Burke, Brittainy fiddler Christian Lemaitre, Quebec fiddler André Brunet and French guitarist Nicolas Quemener.

Celebrating their 20th anniversary in 2013, the group performed in the Abbey Bar in a concert presented by the Susquehanna Folk Music Society. Each fiddler takes the stage for a solo set in the first half, playing traditional Celtic pieces from his own tradition. In the second half, the three come together for a rousing set of triple fiddle fireworks.

The Irish Times described them as:  Mesmerizing…Celtic Fiddle Festival ratchets up the temperature as they ricochet through everything from magnificent Québecois tunes to Breton marches to the Irish tradition.

Also, we’ll feature a Center Stage Spotlight on singer/songwriter Nora Jane Struthers, who appeared at last year’s Gettysburg Bluegrass Festival.  She describes her music as “It’s not really bluegrass, it’s not really old time, it’s not folk – it’s all of these things.”  Her new album, Carnival, features her touring band the Party Line. The group of instrumentalists includes Struthers’ longtime collaborator P. J. George, bass,  Joe Overton, clawhammer banjo, Aaron Jonah Lewis, fiddle  and Drew Lawhorn, drums.

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