Tėada, from Sligo, Ireland to appear March 18th in Harrisburg (tunes, music + dancing)

“One of the most exciting traditional groups to emerge in recent years” Irish World

Coming from Sligo, Ireland the band Tėada (the word means “strings” in the Irish language) has achieved worldwide acclaim for its ability to stay true to the timeless, expressive force of traditional tunes inherited from previous generations of great Irish musicians.

Midstaters can experience Tėada in a Susquehanna Folk Music Society concert on Sunday, March 18, 2018, at 7:30 p.m., at Appalachian Brewing Company, 50 N. Cameron Street, Harrisburg. The five-piece band expands to seven for this event with champion step-dancer Samantha Harvey and legendary singer and musician Séamus (SHAY-mus) Begley.

Tickets are available at https://www.brownpapertickets.com/event/3050248)

Téada first appeared in 2001 on Irish television, led by County Sligo fiddler Oisin Mac Diarmada. Though still in their teens, the young musicians were driven by the timeless, expressive force of music inherited from previous generations.

The band was quickly cheered for “keeping the traditional flag flying at full mast” (The Irish Times). “A fresh force in Irish music” said Earle Hitchner in the Irish Echo, and Irish Music Magazine described them as “the strings that bind…a young band with a deeply authentic sound [at] the cutting edge of the next generation.”

“We try to capture some of the rawness and individuality of the solo artist tradition, within the dynamic of a full band,” says Mac Diarmada.

The original quartet is now often a septet with Seamus Begley, the elder statesmen of the group. From a famous musical family in County Kerry, named 2013’s Traditional Singer of the Year (Irish TV TG4), Begley brings a deep trove of songs as well as fiery accordion playing and wit.

Téada’s most recent release, In Spite of the Storm (Gael Linn, 2013), follows a string of acclaimed albums on the Green Linnet and Compass labels, and the first to feature Begley. “One of the outstanding releases in recent memory,” raved Daniel Neely in The Irish Echo. “Another typically thoughtful and thought-provoking excursion from a band still hungry for tunes– and, belatedly, for songs,” added Siobhan Long in The Irish Times.

The American tour is supported in part by Culture Ireland, a branch of the Irish government promoting Irish arts worldwide. For more information on the band visit their website at teada.com

Concert tickets are $24 General Admission, $20 for SFMS members, and $10 for students ages 3-22. Advance tickets are available online at http://www.brownpapertickets.com or by calling toll-free (800) 838-3006.

To listen/watch Teada visit these sites:


In Spite of the Storm: https://teada.bandcamp.com/album/ainneoin-na-stoirme-in-spite-of-the-storm


Song with Seamus Begley https://youtu.be/W2_-oHPm5C8


March 26, 2017: The Outside Track to perform Celtic music in Harrisburg

The Outside Track, a Celtic group performing Scots, Irish, and Cape Breton tunes, songs, and step-dance comes to Harrisburg for a Susquehanna Folk Music Society concert on Sunday, March 26, 2017, at 7:30 p.m., at the Abbey Bar, Appalachian Brewing Company, 50 N. Cameron Street. The group features vocals, electric harp, flute, whistle, fiddle, and guitar.

For information on the band members visit http://www.sfmsfolk.org/concerts/OutsideTrack.html

The Outside Track was named Group of the Year in both the Live Ireland awards and the TIR awards and was nominated for a Scots trad award. The group’s latest CD, “Light Up the Dark,” was nominated for Best Album in the 2016 Indie Acoustic Project Awards.

Concert tickets are $24 General Admission, $20 for SFMS members and $10 for students ages 3-22. Advance tickets are available through Brown Paper Tickets online at http://www.brownpapertickets.com or toll-free (800) 838-3006. For more information, visit the Susquehanna Folk Music Society website at http://www.sfmsfolk.org.

We had a chance to speak to the band’s accordion player Fiona Black about the origins of The Outside Track and what audiences should expect.

FOLKMAMA: I understand that throughout the history of the band you have had members from Scotland, Ireland, Cape Breton and the United States. Did you start out with the idea to become a Pan-Celtic band?

FIONA: It really didn’t start out as a concept band. We met in Limerick in Ireland at University. Originally it was myself and Ailie (we are the two Scottish members) and we also had a couple of Irish members at the very beginning and a Canadian member.

It has always seemed natural that we would play music from the countries that we were from. That’s how it came about and we have continued to do that.

FOLKMAMA: Would it be easy for an audience member to figure out the country of origin for the tunes or songs that you play?

FIONA: We all play music from our own regions and our own countries, but honestly there are many more similarities than differences between the music from Scotland, Ireland and Cape Breton.

FOLKMAMA: Can you describe your performances?

FIONA: Well, they are really quite lively. About half of what we do are tunes and the other half songs.  We do different arrangements of tunes; some traditional ones and some that we have invented. Each instrument is showcased at different points and we all work together on harmonies and chords. The fiddle player is the dancer. She does Cape Breton style of dancing which is really close to the floor and really beautiful.

FOLKMAMA: Who is in the band and where are they from?

FIONA: Teresa Horgan is the lead singer and flute and whistle player. She’s from County Cork in Ireland. And then Ailie Robertson is the harp player in the band—she plays electric harp. She creates a lot of the bass lines and a lot of the texture as well. And she’s from Edinburgh in Scotland. My name is Fiona Black and I’m from the Highlands in Scotland and I play the piano accordion. And then we have Emerald Rae who’s from Boston. She’s the fiddle player and the step dancer in the band. She spent a lot of time in Cape Breton. And then Eric MacDonald is also from Boston and he’s the guitar player in the band.

FOLKMAMA: How long have you been playing together?

FIONA: We started about 10 years ago. Ailie and I are the two original members left.

FOLKMAMA: Anything you want the readers to know?

FIONA: We just put a new music video out on Facebook. We have another week in the tour and then off we’ll go to Germany. We’ll be back in the US in August!

FOLKMAMA: Is this the main gig for everyone?

FIONA: We tour about six months out of the year. We all have different side projects, other bands and different teaching projects and composing project—but for everyone this is the main band.




The All Female Irish Band GIRSA comes to York, PA October 7th at 4 P.M.

Girsa, an all-female traditional Irish band that is staking out a “new” form of New York Irish music, comes to York on October 7 for a Susquehanna Folk Music Society concert at the Marketview Arts Center, 37 W. Philadelphia Street. Girsa  is eight young women who grew up together in the Pearl River, NY, area. Opening for the group will be the Srour family band Irish Blessing. The concert will be preceded by an Irish Session and a reception; both at 2:45.

The members of Girsa come from musical families, with their parents having learned Irish traditional music from such greats as Martin Mulvihill, Maureen Glynn Connelly, and Pete Kelly. Members of Girsa are Maeve Flanagan (fiddle/whistle), Deirdre Brennan (fiddle/mandolin/vocals), Kristen McShane (fiddle), Margaret Dudasik (fiddle/vocals/low whistle/dancing feet), Blaithin Loughran (accordion), Bernadette Flanagan (piano/bodhran/dancing feet), Pamela Geraghty (accordion/vocals/guitar), and Emily McShane (piano/vocals/bodhran/guitar).

Recently I caught up with Maeve Flanagan and had a chat with her about the band and her experience growing up in this thriving Irish-American Community.

Folkmama: So how do you pronounce the name of your band and what does it mean:

Maeve: It’s Girsa. It’s pronounced as though it has an “h” in it. The name Girsa comes from Northern Irish slang for “young girls”. One of the girl’s grandparents is from Armagh and she used to call the young girls “Girsa” when she was younger.

Folkmama: How long has the group been together?

Maeve: Around eight years now. We started when we were really young. I was about 14.

Folkmama: So what’s the average age of the group right now?

Maeve: Probably 21. I’m 22 and I’m the oldest.

Folkmama: In the eight years that you’ve been together have you had a lot of different people come through the band?

Maeve There has been a core. There have been two or three that have come and gone, just because they have had other commitments. But we’ve never really added anyone to the band.

Folkmama: I know the band has been to some pretty exciting festivals in the last couple of years. Could you just let me know a few of the places that our readers would probably know about?

Maeve Yeah, we’ve played at the Milwaukie Irish Festival and the Dublin, Ohio Irish Festival, the Kansas City Irish Festival and we have played at a couple of places in Wisconsin where we have a big fan base which is surprising since we are from New York. We played in Savanna last year from St Patrick’s Day. That was one of the best places we’ve ever played. It was so awesome!

Folkmama: What made it so good?

Maeve Just the hospitality in Savanna I guess. Everyone was just so nice to us. Plus it was during March so it was really nice to get away from the cold weather.

Folkmama: So, have you played in Ireland?

Maeve: We’ve played in Ireland separately, but we’ve never played as the group Girsa. We’ve played in ceili bands together, which is a group of ten people who go over. There is a drummer, a piano player and then pretty much any type of instrumentation that you want. So we’ve all played together in Caili bands but along with other people.

Folkmama: So tell me more about Pearl River, NY where you all come from. Where it’s located, and I’m curious if a lot of the Irish Americans that live there came from a particular place in Ireland, and also are you influenced by the Irish Americans in New York City?

Maeve So Pearl River is about ½ hour to 35 minutes outside of New York City. And pretty much everyone here is Irish. There is no particular place in Ireland that everyone is from. A lot of my family is from the North; Armagh and Tyrone. A lot of people when they first immigrated to America moved to the New York City area. My parents are from the Bronx and their parents immigrated to the Bronx. And once they started having families they migrated out to the suburbs and Pearl River is one of the closest suburbs to the city. You still have the closeness to the city but it’s not quite the hustle and bustle of the city.

Folkmama: So it seems like from listening to your band that you really have a lot of respect for the traditions and the traditional style. In your area is that generally true, that there is a lot of interest in the traditions as opposed to Celtic rock or more modern styles.

Maeve I definitely think that, in Pearl River anyway. Actually in New York City as a whole. My mom was taught the fiddle first by Martin Mulvihill, a great fiddler and composer from County Limerick by fiddler Martin Wynne who was from Sligo County. So she was taught by the most traditional players, pretty much, in New York City. So she really passed it down to us.

She would never consider going outside of the traditions so she taught it to us just as she learned it. We have a huge respect for that music while also making our own compositions and learning some of the newer compositions. Because, you know, we’re young and once in a while we like to do some of the funky stuff, although we really do have a lot of respect for the traditional Irish music.

Folkmama: So have you found a lot of people in your age group that you can play with and spend time with that have a similar respect for the traditions?

Maeve:  Oh, absolutely. I’ve been going to Ireland for competitions since I was about ten or eleven, and once you go there every year you make friends; I have tons of friends in Ireland. There are a lot of friends that I have in Pearl River that play Irish music, so then more people begin to play and it wasn’t like I’m embarrassed about it. So I’d say as I was growing up all my best friends either knew about the music or played the music.

Folkmama: That’s very unusual in this day and age I think. Very unusual.

Maeve I feel that there is kinda a revival of it too. For a couple of years, below our age group, you know in their teen years there are not too many people around here interested in it, but my brother is now 12 and all of his little friends just won a Ceili Band composition over in Ireland, they got first place under 12, so once something like that happens there is a huge interest in the music. Everyone wants to play after that.

Folkmama: I know some of your group knows the Srour family; the folks in Irish Blessing. Do you personally know them?

Maeve Yes, I know them very well. We connected with them first through Irish dancing because pretty much everyone in the group did Irish dancing at some point.

One of our girls, Margaret, went to the same Irish dance school as Jonathon Srour. As for the rest of us,  Jonathon played the flute and his brother Joshua played the fiddle so we’d meet up every year at the different competitions, the different Feises (a Gaelic Arts and Culture Festival) and conventions and such. So that’s pretty much how we met and we’ve kept in touch.

Jonathon was actually dancing in a touring show, and my sister, who was studying abroad in Germany, actually caught one of his shows.

Folkmama: So it sounds like you and your friends are really the next generation. The next generation of people who are playing the traditional music and doing the traditional dancing.

Maeve: Yeah, hopefully. That is our goal.

Folkmama: So you are going to have some step dancers there, is that correct?

Maeve: Yes, Margaret Dudasik and Bernadette are both step dancers.

Folkmama: Anything else?

Maeve Some people ask us what we are doing, besides music. A lot of people don’t know that we have other lives. I’m actually in law school, I do that full time. So pretty much we are only able to play on the weekends. Deirdre is a full time nurse, and she just got a new job so she is only working during the week, which is great because she can play music on the weekends. And everyone else is still in school, either in their junior year or their senior year in college.

Folkmama: And you have two CDs out.

Maeve: Yes. Our first CD we recorded while most of us were still in high school and the second one we just came out with last summer. It’s called “A Sweeter Place”.

Folkmama: It sounds like even though you are very young, you are extremely competent with your instruments. So, are there people who look at you and say, “Oh, they are really young, they can’t be any good.” I hear really good things on your CDs, but how can we put aside anyone’s fears that you may not be quite as good as they’d like to hear?”

Maeve : We’ve all been doing this since we were like five years old. For the competitions we had to practice so much, so kind of  our own doing we wanted to get better. So we’ve just been working, and working, and working. We could have played a concert last year and listened to it this year and say, “Oh my God, we have improved so much.” We just keep practicing and keep working together to perfect our sound.”

Folkmama: I don’t want to sound negative, but I just wanted to address that because someone might be thing in those terms. Because there are so many bands out there that are amateurs and aren’t particularly serious with their music and aren’t as interested as you all seem to be at following traditions. You’ve been seeped in it since you were a child. I really wanted that to come out in this story.

Concert tickets are $20 General Admission, $16for SFMS members, and $10 for students ages 3-22. Advance tickets are available through Brown Paper Tickets at (800) 838-3006 or online at http://www.BrownPaperTickets.com. This concert is supported, in part, through grants from the Pennsylvania Council on the Arts and the Cultural Enrichment Fund. For more information, visit the Susquehanna Folk Music Society Web site at http://www.sfmsfolk.org