DOCUMENTARY FILM “GIVE ME THE BANJO” shown prior to Tony Trischka Territory concert, February 21, in Harrisburg, PA

Grammy Award nominee Tony Trischka, recognized for his work as perhaps the most influential banjo player in the roots music world, comes to Harrisburg with his band Give Me the Banjo for a Susquehanna Folk Music Society concert on Sunday, February 21, 2016, at 7:30 p.m., at The Abbey Bar, Appalachian Brewing Company, 50 N. Cameron Street, Harrisburg.

Please plan to join us for a 3:30 p.m. showing of the 90-minute documentary “Give Me the Banjo” and a 5 p.m. Meet and Greet with Trischka, the film’s producer. (Included in the concert admission)

There should be plenty of time afterwards to head down to the Appalachian Brewery’s restaurant for dinner before the concert. (Reservations suggested)

Concert tickets are $25 General Admission, $21 for SFMS members, and $10 for students ages 3-22. Advance tickets are available through Brown Paper Tickets online at http://www.brownpapertickets.com or toll-free (800) 838-3006. For more information, visit the Susquehanna Folk Music Society website at http://www.sfmsfolk.org

 

DOCUMENTARY FILM “GIVE ME THE BANJO”

“Give Me the Banjo” is a musical odyssey through 300 years of American history and culture, featuring contemporary banjo masters such as Pete Seeger, Earl Scruggs, Bela Fleck, Taj Mahal, Mike Seeger, Alison Brown, Sonny Osborn, Don Vappie, Cynthia Sayer and Abby Washburn in interviews and performances, combined with rare archival footage, stills, recordings and first-hand narratives.

 

Using the banjo’s diverse musical styles, rich social history and colorful players as our narrative “thread,” “Give Me the Banjo” highlights many of the issues at the heart of American culture today. In its long history, the banjo has symbolized patriotism and protest, pain and pleasure, low entertainment and sophisticated leisure. It’s been a black instrument, a white instrument, a laborer’s pastime and a socialite’s diversion, a young person’s fad and an old-timer’s friend. But mostly it’s been a snubbed instrument. Whether it’s Dan Emmett in blackface, the Jazz Age flapper whamming on a 4-string or Pete Seeger leading an anti-war rally with his long-necked Vega, the banjo has been the symbolic prop for stereotypes about race, class, gender, region and political persuasion right up to the present day.

 

With contemporary banjo masters providing the commentary, “Give Me the Banjo” weaves together rare archival footage and recordings with the narratives of historic banjo figures such as Joel Walker Sweeney, Lotta Crabtree, S.S. Stewart, Vess Ossman, Gus Cannon, Charlie Poole, Uncle Dave Macon, Elmer Snowden, Eddie Peabody, Dock Boggs, and Etta Baker. Throughout the program, experts in cultural history, folklore, popular music and instrument design supply additional analysis and historical context: Mike Seeger, Kip Lornell, Neil Rosenberg, Joe Wilson, Tony Thomas, Lowell Schreyer, Cece Conway, Bob Winans, Sule Greg Wilson, Pete Ross and George Wunderlich.

 

The Music Director for “Give Me the Banjo” is Rounder recording artist Tony Trischka, one of the most acclaimed acoustic musicians of his generation (IBMA 2007 Instrumentalist of the Year and Grammy nominee). The Writer/Producer/Director is Marc Fields, whose recent work includes two scripts for the Emmy-winning PBS series, Broadway: The American Musical, and as writer-producer, Willie the Lion (regional Emmy), a musical biography of the forgotten jazz giant Willie the Lion Smith, featuring Artie Shaw, Dr. Billy Taylor and Dick Hyman.

Advertisements

Yves Lambert Trio to appear in Harrisburg, PA January 10, 2016. An interview with band member Olivier Rondeau.

The Yves Lambert Trio

Hailed by some Quebec music critics as a beacon in the aesthetics of Quebec’s cultural heritage, Yves Lambert is a powerful singer and musician whose 36-year career has been full of risks and adventures. He and his trio brings the energy, multicultural ambiance, and colorful sounds of Quebecois music (a wonderful mix of Irish and French styles) to Harrisburg for a January 10, 2016, Susquehanna Folk Music Society concert at 7:30 p.m. in the Fort Hunter Centennial Barn, 5300 N. Front Street, Harrisburg.

Often seen as a veritable patriarch of the revival of Quebec’s musical roots, Lambert founded the legendary group La Bottine Souriante in 1976. In his 26 years with that group, Lambert was the link between its various incarnations and was its heart and soul.

In the summer of 2010 he joined with multi-instrumentalists Yves Lambert Trio and Tommy Gauthier in a trio that brilliantly demonstrates how traditional local music continually reinvents itself within a modern context.

Concert tickets are $20 General Admission, $16 for SFMS members and $10 for students ages 3-22. Advance tickets are available through Brown Paper Tickets online at http://www.brownpapertickets.com or toll-free (800) 838-3006. For more information, visit the Susquehanna Folk Music Society website at http://www.sfmsfolk.org

I caught up with band member Olivier Rondeau and had a chat with him about the roots of Quebecoise music as well as the innovations that the Yves Lambert Trio brings to the genre.

FOLKMAMA: I know that Quebecoise music was heavily influenced by two groups that settled in Quebec; the French and the Irish, but how did the style first become popular?

OLIVER: The traditional music from Quebec just starts from the kitchen party. There were people down there that were playing fiddle during the night, just to entertain the people and there were singers too. And people go with foot tapping on the floor, just to keep the beat and all the dancers going crazy!

Mainly all the music influence is from Ireland and stuff like that. When people come, when there is a deportation, they come with traditional music.

Quebec music is a big ear training tradition and there are many different versions of songs just because they were interpreted differently. So extra beats, a lot of extra beats here and there [Known as “crooked tunes”]

FOLKMAMA: How does Yves Lambert fit into all this?

OLIVER Back in the 70s there was a folk revival in Quebec and he became really impressed with accordion playing. He’s totally self-taught. Yves helped to keep the music alive. He was an original member of La Bottine Souriante, one of the most famous bands in Quebec.

And now for over 40 years now he keeps going the tradition. He keeps on looking for new airs and new reels on the accordion. Yves role in the band is to keep it alive and to always bring new traditional music to the band.

FOLKMAMA: And what’s the instrumentation of the trio?

OLIVER: Yves Lambert is the lead singer and plays accordion: diatonic accordions and he has a chromatic one too. I play the guitar and kind of bass on my guitar and the response [Quebecoise music is characterized by call-and-response singing) , and we have Tommy Gauthier on the fiddle and mandolin, and he’s the [foot] tapper of the band. And he’s on the response too.

FOLKMAMA: I understand that the Cajun accordion and the Quebecoise accordion are the same.

OLIVER: Yes, actually Yves has two Cajun accordions that were built in Louisiana by Mark Savoy.[a famous Cajun accordion builder] Old ones. One is back to 1976 and the other one may be in the beginnings of 80s. So he is playing with those two beautiful instruments, both diatonic One in “C” and one in “D”.

FOLKMAMA: Does the band play straight Quebecoise music, or are you influenced by other styles?

OLIVER: For me, and for my generation , every music that I hear that has a good groove is an influence. So that’s the way it works. If it’s good music and we hear it, it could influence our sound.

And I could say since we’ve played more in the United States we hear other bands and we’re intrigued by their style. We love it so much that we put some in the last recording. When you listen to us you can hear a hint of old time, bluegrass, and the kind of rhythmic phrasing that you hear in Appalachian music

FOLKMAMA: Your guitar has a pretty distinctive sound and the times that I’ve seen you I’ve noticed a lot of electronics at you feet. What’s the purpose?

OLIVER : Mainly it’s so that the two lower strings on my guitar can be processed with an “octaver” to give an extra lower octave to the notes. The two lower strings have two functions; they are guitar and they are a bass as well. This creates a powerful sound.

When we all play together Tommy is doing the rhythm with his feet and playing the fiddle at the same time, Yves singing and. playing the accordion and I got the guitar and the bass going on so as a trio one thing that we love is to make the sound way bigger than it looks.

FOLKMAMA: What else would you like people to know?

OLIVER : One thing we love to do, Tommy and I, is to arrange music. We love the texture and we put a lot of work in the arrangement. We try to make each song distinctive; make it grow. So we work pretty hard on this.

When you listen to the song you can hear the roots of it, but there are a lot of influences that come to the music. There are a lot of surprises!